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Kathmandu, Sunday April 21, 2002  Baishakh 08,  2059.

Echoes of the Himalayas : A product of a wounded heart

By DR SHREEDHAR GAUTAM

D B Gurung is an established author in Nepalese writing in English. Before the present book was published by a reputed foreign publication, he had already become a familiar figure among the native as well as foreign readers through poems, which have been published in various anthologies in the United States, and have won several awards. Though a teacher by profession, he has proven his creative genius through his several poetic works. Being a son of a British Gorkha veteran (during the Second World War) he has closely observed and experienced the life of a vagabond solider. Moreover, his own struggle for survival in Japan as well as in Nepal has further enriched his understanding of life.

Echoes of the Himalayas opens up a discourse that British Gorkhas are still treated as aliens in their own land. But it was not out of pleasure that these Gorkhas left their country to become soldiers in foreign country. Though there has been a great change in the mind set of Nepalese intelligentsia regarding the role of famed fighting ‘Gorkha Force’, still the sons of ex-Gorkha soldiers are expected to opt for their fathers’ profession whether they are cut out to be soldiers or not, especially in the case of the so-called Matwali castes like Magar, Gurung and Rai. Even after the restoration of multiparty system 12 years ago, our politicians have not taken the question of Nepalese boys joining foreign army as a symbol of insult. There was a heated debate in the parliament over the issue in the parliament some years ago, but majority of them rejected the proposal of banning Nepali national joining the foreign army. Surprisingly, the members belonging to the so-called Matwali caste also spoke against the proposal.

It is a sad fact that our ‘Gorkha’ brothers are compelled to join the foreign fighting force with full knowledge that they could be either killed or incapacitated while fighting for others’ sake. In both the cases they symbolise the tragedy of Nepali life that even after the dawn of democracy there is no basic change in people’s condition. We have seen many widows and children left behind by their husbands and parents in a miserable state. Similarly, there are ex-British and Indian soldiers who are leading a crippled life facing all kinds of difficulties in their retired life. The greatest irony in the life of these soldiers is that they are neither recognised well by the countries they fought for nor by the country they were born in. The protagonist, Gagan, in D B Gurung’s novel is the son of a Gorkha solider of the British Indian army who showed supreme valour while fighting the Japanese in Burma during the Second World War.

The novelist has realistically shown that the tale of Gagan’s frustration is not that of an individual, but the people at large who are against corrupt system of governance perpetuated for long. So, Gagan’s struggle is a pointer to the century long maladies prevailing in our society. Many Gagans have already lost lives in the course of fighting against this corrupt system that discriminates people on various pretexts. The book opens with a tug of war between a teacher and a student who refuses to listen to his teacher’s argument that only Chhetris and Brahmins are entitled to take up teacher’s profession. And this student happens to be the father of Gagan, the protagonist. The teacher’s remark comes as a bolt from the blue to the young student once he knows that a son of Mathwali has to become either Gorkha soldier or should take up other manual job, but not the teaching job supposed to be the monopoly of Tagadharis, especially the Brahamis and Chhetris. It is with this frustration that the student, Mr Ghondey, joins British Indian army and later settles abroad in retired life not getting any sympathy for his war crippled life. But his youngest son, Gagan, comes back to Nepal, facing all sorts of odds and injustice, to find his roots. Though mostly grown up between Bhutan and Sikkim, he is all the time harbouring a deep nostalgia for his imaginary homeland, Nepal. And it is with this vision in mind that he leaves Sikkim for Nepal. Gagan tells his brother, Akash in the first chapter regarding his intention to enter Nepal: "That has to be the ultimate home for a rootless Nepali, blown off course by the storm of destiny."

The second chapter is equally insightful as it is here Gagan’s father tells his sons not to join British or Indian army, terming the profession as satanic occupation which has driven generation of Matwali into nightmare. It is through his father that Gagan comes to know how most of the jobs in Nepal are occupied by Brahmans and Chhetris, the dominant ruling elite. He exhorts his son not to repeat the mistake of joining foreign army and thus spoil his life. Once Gagan enters Nepal he finds not much difference between the lifestyle of Indians and Nepalis. He is dumbfounded when he sees Nepalese talking with an India accent. He finds Biratnagar a confused and shapeless town sprawled in a typical Indian fashion. Though Gagan’s difficulties in Nepal become acute for employment due to lack of citizenship certificate, he pursues his efforts vigorously because he cannot let his dream be deferred, or sacrificed for an imaginary career in Sikkim.

Ultimately Gagan comes to Kathmandu which he finds resembling a large saucer, surrounded by mountains. It is all very exciting for Gagan on his first visit in the city. Though Gagan is employed as a teacher in Kathmandu, his troubles compound with the principal reminding him that he has to submit his citizen certificate in due course of time. Later he is fired from the service for his failure in producinh Nepali citizenship certificate. He is denied the citizenship, as he cannot furnish the required document for the sake of certificate. Gagan tells the concerned clerk that there are thousands of genuine Nepalese who are having a similar, and more often, a difficult problem than faced by him. But he is asked either to pay a heavy amount of bribe or to go back to Sikkim or Bhutan.

Later on, he is taken to the Hanuman Dhoka police station for his offensive behaviour against the CDO. After his release from prison on parole, Gagan is still an enraged person and becomes one of the active members of the All Nepali Native People Organisation (ANNPO). Gagan and his friends agree upon the need of bringing together like-minded people to fight against the corrupt system. The novel ends with the ANNPO getting more active to eliminate the nepotism and the dominance of Brahamic policy in Nepal. Gagan echoes the sentiment that nobody is superior or inferior, neither the Brahmin nor the blacksmith.

On the whole, the Echoes of the Himalaya is a novel written from the bottom of a heart, that is humiliated and hurt several times for yearning to know about one’s own roots, whatever the cost. At the first look, critics may find this novel rather communal in tone and in the treatment of its character, but very soon one would realise that the basic motive behind this novel is not to spread communal hatred but to arouse awareness in the larger silent community that there is a need of drastic change in the socio-political structure as well as the mental set of bureaucrats. The writer has aptly raised the issue of corruption in bureaucracy because even non Nepali whether they are of Tibetan or Indian origin can get citizenship in no time if they offer large sum to the concerned officials. The obstacles created in the path of Gagan’s citizenship process were unnecessary and biased. He was denied citizenship because of the lack of essential document, but because he did not conform to the corrupt practice of getting certificate by bribing the official. It is in this sense that this work can be taken as a landmark in the field of modern protest literature.

Unlike the literature of medieval protest, modern protest is not based on parochialism or narrow religion. Gurung’s work is an example of modern protest as it includes scientific consciousness and political vision. His spirit of protest seems to have been greatly influenced by modern writers who do not seek inspiration from any religion. He does not take protest something as a sentimental or emotional outburst. He wants the protest to come into the purview of thought process so that it becomes valid and robust in its range, temper and meaning. Gagan, the protagonist of the novel, seeks to expose new, values rooted in the realities of life. The book shows that significant value emerges when protest conflicts with actual circumstances prevailing in a period or at historical moment. The protest shown here has nothing to do with dogma. But, the writer could have been more careful while showing his sense, of protest without naming some castes in an overt way, thereby giving an impression whether the writer is interested in arousing sectarian feelings. Though this is not the intention of the writer, it could have been more appropriate if the writer had used rather subtle and covert style to express his justified anger. However, the writer can take the solace that this is a minor lapse on his part and it in no way minimises the message that he wants to convey through this book.


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