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SME Focus |
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Patan Handicraft Trying with a New Business Model
Handicraft
businesses in Nepal suffer myriad problems and the business owners
complain that they can do nothing about them as most of these problems
are beyond their capacities. Being small, proprietary firms, they cannot
produce sufficiently big volume to be economically profitable. The
arrangement of raw material, marketing of the final products, financing,
design and technology – all become problems. The solution
seems to be in developing a new business model. And the one being tried
by Patan Handicraft Centre (P) Ltd. seems to be working quite
effectively. According to
Pravin Chitrakar, Director of the firm, the model his company is
following is like a cooperative of the artisans, though the word
‘cooperative’ was struck off from the company’s name sometime back
after the promoters found that it was inviting too much interference
from the regulators of the cooperatives. Initially set
up as a retail shop nearly a decade ago, the company has now turned into
a production house as well. And in the process, it has developed a
number of subsidiaries in partnership with different artisans. While
these subsidiaries produce the articles, the parent company does the
marketing and provides technology, design and finance to the producers. The company is
presently involved mainly in four category of products – silver
jewellery, buttons, paper products, wood products and other various
articles. The beginning of each line of business has its own story,
though there is a common thread in all of them. As Chitrakar explains,
the company promoters did not feel good just being the intermediary -
collecting goods from the producers and selling them by adding the
marketing margin. “We felt it was not ethical as we were benefiting
just by virtue of our contact with the buyer. If the buyer wanted he or
she would easily go direct to the producer and that would benefit both
of them.” But it was not
the only ethical issue that prompted the company to enter also into
production. The earlier model of getting the articles made from outside
parties involved a lot of risks. For example, if the company was to get
the silver jewellery job done from an outside party, it would have to
provide the silver to the artisan and there was the risk of the silver
being adulterated or the artisan himself vanishing with the silver. And
there was no guarantee that the product would be delivered in time. The
Nepalis have a very high holiday culture. It is more so among the
artisans. So the model
the company thought of was to make the craftsman a partner in that
particular line of business. Now, the company sets up a subsidiary firm
with the company and the artisan of that particular field as the
shareholders. The production facility of each such business is based
inside the company premises. The product is bought by the company at a
price and the artisan gets remuneration for his labour plus a share in
the profit. Most importantly, as the artisan would be working in the
same premises of the company, there would not be any risk of him
vanishing with the raw material or adulterating it.
Following this
method, the company now has three units – silver jewellery, buttons
and paper products – all located in the same premises. These items
account for some 85% of the total turnover. For wood products, the
production unit is located away from the company premises. However, for
other products, the company is still depending on the outside parties.
In all, the company is now employing about 130 people including artisans
and management staff and the plan is to increase it to 150 within a
couple of months by adding new production lines. And the model
seems working very well as indicated by the fact that, as Chitrakar
informs, the company’s sales volume continued doubling every year
since 1994 till 2002 though it increased slightly less than 100% in the
year 2003. Of course it
does not mean that the company has no problems. Government policy
restricting import of silver, silver jewellery accessories and gems are
the major hindering factors apart from the customs related problems.
Since silver jewellery exporters are not allowed to import these raw
materials, there is a lot of smuggling going on in these items. And the
quality of the silver made available to the jewellery makers is below
the standard. Due to the lack of one window service, there is a
lot of paperwork involved in getting the export permission. Moreover,
the meticulously completed packing of the article is opened in the
customs points causing additional expenses and effort on the part of the
exporter. Plan Despite these
and many other problems, the company is not perturbed and it is
targeting to increase the volume and gain the first position among the
handicraft exporters from Patan. “At present we are at the third or
the fourth position,” evaluates Chitrakar. For the purpose of
increasing business volume, the company has recently set up a metalcraft
unit. Next plan is
much more ambitious, but not unrealistic. “If the government policy is
right, we intend to develop an artisan village,” he says. But what
about the craft village that the Handicraft Association of Nepal, the
Lalitpur Chamber of Commerce and Industry and the government are
reported as planning to set up? Chitrakar says, while that is a very
good initiative, only one such village is not going to be enough. But the
project is considered expensive not only for the physical
infrastructure. “The major challenge is in training the artisans not
on the skills and art, but on such qualities as sense of time,
discipline, less holidays and avoiding alcoholism,” says Chitrakar.
“This will require a lot of time and energy though not much in
financial costs. However, we are ready to do that while expecting policy
reforms from the government,” he adds. But
as Chitrakar points out, the cases of government involvement in
handicraft sector have been flops. First such instance is the Handicraft
Emporium which is now in the process of liquidation. Then there was the
Products of Nepal (PON) showroom in the Manhattan of New York for which
the space was provided free of cost by the US government. But it is now
closed while the people sent there to manage the PON showroom have been
doing their own good businesses. Similarly, there is a showroom run by
Salt Trading Corporation (STC) in Bangkok. That too is not doing good,
comments Chitrakar. The reason? STC buys from the market on its own and
in the process a lot of favouritism is practiced. So the genuine
handicraft producers are not getting any benefit out of it. |
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