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NEPALESE FILM INDUSTRY |
Picture Of Illness After enjoying a boom in
recent years, Nepal's film industry is in the doldrums again By A CORRESSPONDENT The bubble in Nepal's film industry has
burst. Responding to the general economic decline of recent months, many producers have
shelved new projects. If the current spate of violence and instability continues, the film
industry can expect deeper trouble in the days ahead. More than 40 films were released last year.
If present trends are any indication, there will be fewer than two dozen releases this
year. According to the Nepal Film Producers Association, more than half a dozen producers
have withdrawn their proposals. With fewer Nepalese films coming out, many movie theaters
are witnessing slack business.
With more than 1.3 million people,
Kathmandu valley has 20 cinema theaters, including a dozen modern facilities. Contrast
this with the situation until a decade and a half ago, when there were six theaters
some in a highly dilapidated state which screened old Hindi movies for months
on. There was a time when Kathmanduites could
watch the latest Hindi movies the same day they were released in India. Following the
"Hrithik Roshan episode" of December 2000 when Kathmandu's streets erupted
in an orgy of violence over anti-Nepal remarks attributed to the Bollywood heartthrob
which he denied ever making theater owners largely avoided screening Hindi films. "After the Hrithik Roshan episode, the
import of Hindi films declined substantially," says an exhibitor. "Theaters
owners are not prepared psychologically, especially when they realize that bands of
radical youths could come out in the street on the basis of rumor. In fact, we get
frightened every time we see a crowd close to our theater." Although Hindi films still occupy more than
50 percent of the Nepalese market, that share is on the decline. The increase in Nepalese
productions, which are cheaper to produce and, hence, to exhibit, helped to bridge the
gap. A careful mix of private-sector enterpreneurship, artistic and technical creativity
and government incentives helped the industry to acquire what looked like a
self-sustaining momentum. With the imposition of the state of
emergency and an upsurge in Maoist terrorism, however, audiences have thinned drastically.
"Now we are losing money showing Nepali films as well," says a theater owner. As the fallout from the slump in the
Nepalese film industry looms large, most theaters owners acknowledge they are in no
position to import expensive new Hindi films the midst of declining audiences. "Even
if normalcy were to return to the country soon, it would take many more years to build
confidence in the film sector," says an exhibitor. Agrees Royal Nepal Academy Nir Bikram
Shaha, a leading actor and director: "Unless normalcy returns, there would be no
sense in investing in the film industry. Tranquillity is required to sustain the
industry." Even as the production of Nepalese films
and import of Hindi films continue to decline, many Kathmanduites hope movie theaters
would be able to retain their traditional appeal. "I hope we would be in a position
to watch the latest Bollywood films in Kathmandu very soon," says a moviegoer. "As soon as normalcy returns, we will
start importing Hindi movies," says the owner of one of the bigger theaters in the
city. But that would hardly address the problem of the domestic film industry, which may
have to rebuild itself all over again. |
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editor: spotligh@mos.com.np |