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ART |
Festive Colors Pradip Kumar Bajracharya's
paintings radiate the cultural opulence of his community By NIRAJ POUDYAL Everyone's eyes are fascinated by the dark
colors of festivals, especially red, that have been spilled over the canvas with artistic
techniques and fertile imagination. The first solo art exhibition of the young, dynamic
and calm Pradip Kumar Bajracharya, a graduate of fine arts, has lifted the spectators'
mood several notches. The exhibition, organized on the auspicious
occasion of the 53rd birthday of Her Majesty Queen Komal Rajya Laxmi Devi Shah, titled
"Festive Moods" is a collection of 37 excellent reflections of lifestyles of the
Newar community - their culture and religion, which is popularly known as full of
festivals and feasts in the Kathmandu valley. Media of painting is acrylic. All of his
works are untitled. The exhibition, which began on February 11, will continue until
February 25.
"As someone from the Newar
community, in which festivals are an integral part of daily life, the colors of these
festivals, religious and cultural celebrations in the community and especially festive
moods of jatras have a profound effect on my heart and mind," said Pradip.
"Since valiant colors, especially red, have great importance and participation in the
festivals of Newar community, red colors have dominated my works," he added. The equal appearance of men and women in
traditional attire has revealed the life of the people residing the valley. Importance of
color, rath, religion and worship of shaped god and goddesses have been interestingly
revealed in his paintings with the creative strokes of brush. The active participation of
the majority of the community in the festivals mirrors the sound relationship and harmony
among the Nepalese people. Musical inspiration among the people has
also been beautifully explored in some of Pradip's paintings. Some depict the importance
and role of music in jatras. Use of traditional flutes, drums and plates are rampantly
found in these works. Widespread diversity dissolved with unity
within limited space of the canvas are another key feature of his creations. One of his
works depicts the festival at morning mists while another is the facsimile of the festival
of dark evening. Beside festivals, his works consist of
rural and traditional life standard of the people in and around the valley. Simplicity of
costume, women participation in public celebrations, and synchronism among men and women
in family life and society as a whole can be visualized in his works. "He has a quite strong brushwork -
with free and attractive movements," said Batsa Gopal Vaidya, a prominent
artist/painter. "Heritage as the theme of his paintings is rare in itself," he
added. Indira Malla, chairman of the birthday
committee, inaugurated the exhibition. "Having the view of his paintings, I found
myself in the festival itself. The title 'Festive Mood' has certainly worked on me,"
she said. She wished the artist success. Another important aspect of Pradip's work
is his obeisance to the cultural heritage of Nepal. His work can really work to generate
awareness about our festivals, lifestyles and wider cultural heritage in Nepal and abroad. |
Send your feedback to the
editor: spotligh@mos.com.np |