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NAVIN SHRESTHA'S SONGS |
Expressions
Of Realities Beautiful
as well as difficult realities of life are expressed in symbolic words in Shrestha's songs THAKUR
AMGAI The first
impression that Navin Shrestha's songs give to any listener is a saying by a famous writer
that goes, "If you ask me what my writings are, I cannot tell you, but if you ask my
writings who I am, they will tell you." When Shrestha starts reciting his soothing
songs with the background in which he wrote the songs, any listener will be held
spellbound. The addition of well-composed music and voiced in line with the feelings of
the words would undoubtedly add to the beauty of the songs by many folds.
However,
to Shrestha, what is more important than that is the protection of his creations. Shrestha
is sensitive about his works and is keen to ensure that the final product do not, in any
way, hurt the quality of his feelings. That could be the reason why Shrestha prefers to
pile up his best creations inside his drawer and give out only 'good' songs for singers
and music composers. "I fear that the feelings in my songs might not get justice when
I give them out to anyone who asks for it," said Shrestha. Recluse would
be the right word to describe Shrestha in one word. At a time of publicity and
advertisements, he confines himself within the periphery of his very close acquaintances
who he can share feelings with, than to be involved in the world of artistes like himself.
Only one-tenths of the best of the best songs that he has written have been recorded.
Commercializing the art is his accusation to most of the people. And in reaction he does
not like to easily disseminate any of his creations. Shrestha, who
started writing with the inspiration of his artist father, has spent decades in a kind of
isolation. In his early childhood he used to enjoy the songs that his father wrote at the
back of his exercise books used in schools. Humming the songs by Kiran Kharel, Dr. Ramman
Trishit and Indian poets including Sailu Tami used to be his pastime in the school days.
Shrestha, now in his late thirties, still enjoys the same pattern of life. The only
difference being that, in addition to the other Hindi and Nepali songs, he hums his own
songs and often creates them in response to what he sees. Use of symbolic
metaphors is a specialty in his song writing. His uses of phrases are such that a single
phrase can tell a thousand words. He writes the realities of life. Whether it may be the
hardships of life or the expression of mind, Shrestha's songs speak out the woes of
suffering minds from class struggle, financial hardships and love tragedies. To say the
least, Shrestha's creations have not been recognized. While one strong reason could be his
reserved introvert nature, the extreme commercialization of music could also be another
reason why naturally gifted lyricists like Shrestha have not come in the limelight. "I have
categorized the songs in three categories and to anyone who asks me for a song I give them
the middle one," said Shrestha. However, he has hopes that he will one day bring out
his best songs when he can invest on his own for the recording and bringing out the album.
"I will bring these songs to public when I can do so in my preferred tunings and
without killing the feelings of the words." Shrestha
formally started writing some two decades ago, and his first song was recorded 15 years
ago. He has given lyrics to songs in about half a dozen Nepali movies and for about a
dozen collection of albums. The latest one is 'Portrait' from the rebel creation in which
the songs are sung by Poonyam Pradhan. Celebrated
singers of Bollywood like Udit Naryan Jha and Kabita Krishnamurti have sung his songs. At a time when
emerging artistes are running after cheap popularity leaving the music anthology at a
dearth of long-lasting songs, the extremely expressive words of lyricists like Shrestha
could be very enriching. The trend, however, does not seem favorable to people with such
attitude. 'Adaptation with the environment' seems to be the only solution at present. |
|| Cover
Story || Deuba's India Visit || Opening Of Sundarijal Prision || September
1 Riots || Interview || Atrocities
On Media || |
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