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EXPOSITION |
Images Of History A scholar working on
the origin of Malla Kings of the West Nepal exhibits photographs of ubiquitous pillars of
the region By THAKUR AMGAI
"To know where you want to go,
you need to know where you come from," said researcher Tim Harward as he was briefing
the background behind the photographs that he had put up for exhibition at Siddhartha Art
Gallery on September 16. Behind him the photographs were telling where we, the Nepalese,
came from. We are going through the most difficult period in the history and it seems we
are confused where we want to go. As Harward says, the reason could be because we do not
know much regarding where we came from. Simply put, we are very less knowledgeable about
our history. To know where we hailed from, a study of
history is a must. We as Nepalese have put very less effort in searching for our roots.
However, a researcher from the western hemisphere has done a laudable job by bringing out
the least cared for, yet probably the most significant elements of history. Photographs
taken by him reveal various facts about the historical events and could prove to be a very
strong beginning point for further research on history. According to Harward, in Western Nepal
there are many pillars that have been erected for specific purposes. Some of them to
indicate the victory known as 'Bir Khamba', while others to depict the religious carvings
to show the tradition of those days. Harward, who has been working in Nepal since 1998 on
the origins and history of the Malla Kings of the West got inspired to bring out this
issue to public notice concerned at their apparent neglect. In the exhibition titled "Historical
Pillar Stones of India and Nepal" at the ground floor of SAG, more than two dozen
images captured during his research in the Western Nepal and Kumao and Garhwal of India
were put up. The images serve as the window to peep into the culture, tradition, religion
and events in the Baisee and Chaubisee rajyas that extended up to Kumao and Garhwal. The
independent kingdoms existed in Nepal before King Prithvi Narayan Shah united Nepal into a
single country. The Khas community comprising of Brahmins
and Kshyatriyas who are at the helm of bureaucracy, politics and other influential sectors
are considered to have hailed from the Chaubisee Rajyas - presently the Karnali region,
which is ironically the most underdeveloped part of the country now. Probably because they live in the most
difficult time of the history, the natives seem to have least knowledge about the origin
and history of the pillars. The exhibition is an eye-opener in that it
can serve as a very enriching resource for students of history and archaeology. The
pictures of war, religious ceremonies and nature, among others, reveal the lifestyle and
beliefs of our ancestors. The scriptures not only reveal the chronology, but also tell us
a lot about the language used in those times. Drawing The Details A child psychologist
depicts an anthology of insignificant details of his life in beautiful colors and forms By THAKUR AMGAI
Peeping outside the window or
carrying out one's daily chores constitute regular job, which are not considered
significant by anybody. However, we fail to understand that these are the kind of actions
that take up most of our time. And when they are something, doing which we spend most of
our time, can they be really termed 'insignificant'? The answer to this question is subjective
to individuals, but artists and litterateurs have always learned to make these
insignificant things significant by their magical skill of expression. They turn the
insignificant details of the world into masterpieces of art or poem. Mark Jordan has done exactly the same. A
child psychologist by profession, Jordan has excelled in another facet of life - as an
artist. In an exhibition titled 'Insignificant Details Of Life' at the first floor of
Siddhartha Art Gallery, Jordan has shown how significant these things are in our life. He cuts out photographs as he looks out of
the window and pastes them to make a beautiful collage. He uses bright colors, often in
contrast to add to the beauty of the paintings. In addition to the traditional painting and
collages, Jordan has also experimented with the use of newspaper cuttings, photographs and
painting all in the same art. Jordan's paintings are soothing to the eyes and meaningful
in that they comply with your little details of life as well. |
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editor: spot@mail.com.np |